DMN Vegas Application Channel
Product Review:
Twixtor: 30p to 24p in After Effects
RE:Vision Effects does one thing, image manipulation. And they do it very well
Twixtor, from Re:Vision Effects, Inc., has been around for a while. It works with Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro (X and 7), Autodesk combustion, flame, Maya Composite, Avid, Foundry Nuke, Sony Vegas Pro, and several others. It changes speed, timing, and frame rates of footage (frame rate conversion is currently only available with After Effects or Combustion). Twixtor does this by warping and interpolating new frames from the original footage using RE:Vision's proprietary tracking technology to calculate every individual pixel's motion in a sequence. Read More

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Book Review:
Filming the Fantastic
"Filming the Fantastic" has been recently released in its second edition. The book by Mark Sawicki is not only a "guide", but a personal discussion about the ebbs and flows of visual effects trends, and stories of universal truths.Sawicki's book is a great read for directors, VFX supervisors, post-production teams, artists, and - naturally - those who gather around the eyepiece. Read More
Company Profile:
DaVinci Resolve Connects Across Oceans to Bring Out the Hero Within Us All
Founded in 1993, the independent and highly successful Metrafilms follows the principles of "handmade production," investing in talent rather than expensive hardware for their productions. With an impressive client list that includes Samsung, Wimm-Bill-Dann, one of Europe's biggest dairy products companies, and MegaFon, Russia's second largest mobile phone operator, Metrafilms is known for its creativity and ability to hire only the best. The company's vast connections eventually teamed the production house up with Jake Blackstone, an LA based colorist and the founder of MOD Color. More than a talent, Blackstone is a technologist. Together, they would carve a new path for post and color grading, changing the way editors can connect and collaborate to bring a film to life. Read More
Product Profile:
RED EPIC-X: Jeremy Wiles and Creative Lab
The RED EPIC-X with its Mysterium-X Sensor sporting 5K resolution, one of the best dynamic ranges at 13.5 stops (18 with HDRx) and rated at 800 ISO, frame rates up to 120 fps at full resolution, the ability to use a variety of lenses, and you've got a camera that's made for both Hollywood and the working professional. Peter Jackson is using the EPIC in a 3D rig for The Hobbit films, and even more major and indie filmmakers are taking advantage of RED's latest camera. We decided it's time to get to know the RED EPIC-X, and Jeremy Wiles of Creative Lab in West Palm Beach was more than happy to introduce us. Read More
Feature:
What Lies Beneath the Sea: Shooting in Stereo 3D
The challenges of using the latest stereoscopic 3D technology to film a 30-mile dive off the California coast. Read More
Interview:
Exclusive: Sorenson Squeeze Pro Q&A with Eric Quanstrom, COO of Sorenson Media
Sorenson Media today released Squueze 8 Pro. We interview Eric Quanstrom, COO of Sorenson Media about exactly what that means for media producers everywhere. Read More

Imagineer Systems / Mocha v3
Curious Turtle has added 3 new chapters of training to their mocha series: http://www.imagineersystems.com/products/training Newly ad Read More
 
Stash 92 `nuff said
Stash 92 Podcast is out [vimeo 41979766 nolink] Read More
 
Lots of Adobe news
Adobe Creative Cloud , a subscription-based offering for making, sharing and delivering creative work, featuring  Creative Suite 6 ,new HTML5 de Read More
 
Time to make plans for Anime Expo AX (06/29) LA
Anime Expo (AX), North America?s largest anime, manga and Japanese pop culture celebration, today announced Japanese pop culture sensation Danny Choo Read More
 
RE:VisionFX is CS6 ready
RE:Vision Effects announces support for Adobe After Effects CS6 and Premiere Pro CS6. RE:Vision Effects, acclaimed effects plug-in industry leader Read More
 

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